S. Saketharaman Concert in Chennai | R. A. Puram, Sep 19
An S. Saketharaman concert in Chennai takes place this evening in R. A. Puram. He performs at Sri Siddhi Buddhi Sameetha Sri Karpaga Vinayagar Temple on September 19, 2026, from 7:00 PM.
The programme forms part of the temple’s Vinayaga Chaturthi Concerts 2026. Moreover, the accompanying line-up brings both mridangam and ghatam. Therefore, the percussion side of the evening carries real depth.
S. Saketharaman Concert in Chennai: Full Event Details
Programme: Vinayaga Chaturthi Concerts 2026 — Vocal Event
Date: Saturday, September 19, 2026
Time: 7:00 PM
Venue: Sri Siddhi Buddhi Sameetha Sri Karpaga Vinayagar Temple, No. 19, 2nd Cross Street, Raja Annamalai Puram, Chennai 600028
Contact: 044 2432 8084
Event Type: Classical Music — Vocal
The Ensemble Performing Tonight
Four artists share the stage.
S. Saketharaman — Vocal. He leads the concert. Consequently, his raga choices shape the arc of the whole evening.
R. Madhavan — Violin. He provides melodic accompaniment and answers the vocal line.
Neyveli K. V. Ramkumar — Mridangam. He anchors the rhythmic foundation of every piece.
Trichy Dr. Murali — Ghatam. He adds a second percussion voice alongside the mridangam.
Why This S. Saketharaman Concert in Chennai Draws a Crowd
Senior vocalists rarely perform in neighbourhood temple settings. Most of their concerts happen at large sabha auditoriums during the season.
Consequently, a temple programme featuring an established artist offers something unusual. The audience sits closer, the atmosphere stays informal, and the devotional context shapes the repertoire.
Furthermore, temple concerts are typically open to all. So an S. Saketharaman concert in Chennai in this setting makes a senior artist accessible in a way a ticketed hall cannot.
The Percussion Pairing Is Worth Staying For
Many concerts run with mridangam alone. This one adds a ghatam, and the contrast is immediately audible.
The ghatam is a clay pot played with fingers, palms and wrists. Because it produces a drier, sharper attack than the mridangam, the two instruments complement rather than duplicate each other.
Watch for the tani avartanam especially. During this percussion solo, both players exchange rhythmic phrases back and forth. In fact, regular listeners often name this segment as the high point of any concert featuring both.
What to Expect from the Repertoire
Because the occasion is Vinayaga Chaturthi, expect compositions on Ganesha to feature prominently.
The opening. Most Carnatic concerts begin with a Ganesha invocation anyway, which suits this evening exactly.
Ganesha kritis. Pieces like Vatapi Ganapatim and Siddhi Vinayakam fit the occasion naturally.
The main raga. Then the pace settles into alapana, kriti, neraval and kalpanaswaram.
The closing set. Finally, lighter devotional pieces round off the evening.
However, the artist decides the final list on stage.
How to Reach the Temple
A few tips help:
Arrive by 6:45 PM. A senior artist on a Saturday will draw a full house.
Expect informal seating. Temple concerts often seat the audience on mats.
Plan your parking. R. A. Puram’s cross streets stay narrow. So park on a main road and walk.
Dress traditionally. The setting is devotional.
Call ahead. Reach 044 2432 8084 to confirm timing.
Plan Your Saturday in R. A. Puram
R. A. Puram sits between Adyar and Mylapore, so the area stays well connected. Additionally, plenty of eateries operate nearby if you arrive early.
Finally, keep tracking Chennai classical music events with us. Between festival programmes and the December Margazhi season, the calendar stays full.
Final Thoughts
A senior vocalist, a full percussion pairing and an open temple setting — this S. Saketharaman concert in Chennai makes the strongest classical pick for your Saturday evening. Reach the temple by 6:45 PM and settle in.
